by Zbig Rybczynski / 1980 / animation 

"Thirty-six characters from different stages of life - representations of different times - interact in one room, moving in loops, observed by a static camera. I had to draw and paint about 16.000 cell-mattes, and make several hundred thousand exposures on an optical printer. It took a full seven months, sixteen hours per day, to make the piece. The miracle is that the negative got through the process with only minor damage, and I made less than one hundred mathematical mistakes out of several hundred thousand possibilities. In the final result, there are plenty of flaws ® black lines are visible around humans, jitters caused by the instability of film material resulting from film perforation and elasticity of celluloid, changes of colour caused by the fluctuation in colour temperature of the projector bulb and, inevitably, dirt, grain and scratches.”

Zbigniew Rybczynski  was born on January 27, 1949 in Lodz, Poland, but was raised in Warsaw, where he attended an arts high school and was trained as a painter. He went on to study cinematography at the world-renowned Lodz Film School where he began experimenting with the film medium. His first projects were Kwadrat (1972)and Take Five (1972). Along with his other works, they broke new ground in the use of pixelation, optical printing, animation and other compositional film devices.

Zbig was active in the avant-garde group Warsztat Formy Filmowej and he cooperated with Se-Ma-For Studios in Lodz, where his art movies were shot, including: Plamuz (1973), Zupa (1974), Nowa ksiazka(1975) and Tango (1980).